This song is about a crime of passion – “Delilah” by Tom Jones


by

{Intro}

I saw the light on the night that I passed by her window
I saw the flickering shadow of love on her blind
She was my woman
As she deceived me I watched and went out of my mind

My, my, my Delilah
Why, why, why Delilah
I could see, that girl was no good for me
But I was lost like a slave that no man could free

At break of day when that man drove away I was waiting
I crossed the street to her house and she opened the door
She stood there laughing
I felt the knife in my hand and she laughed no more

My, my, my Delilah
Why, why, why Delilah
So before they come to break down the door
Forgive me Delilah I just couldn’t take anymore

{Instrumental}

She stood there laughing
I felt the knife in my hand and she laughed no more

My, my, my Delilah
Why, why, why Delilah
So before they come to break down the door
Forgive me Delilah I just couldn’t take anymore
Forgive me Delilah I just couldn’t take anymore

This song is about a crime of passion: A man discovers that Delilah has been cheating on him, so when her lover leaves, he shows up at her door and stabs her to death. The lyric is mollified by a lilting rhythm and a catchy chorus that lends itself to singalong, leading to many situations where (often inebriated) crowds find themselves singing, “My my my Delilah…”
Is there a real Delilah? Depends who you ask. The official writer credits for this song go to the English team of Les Reed and Barry Mason, whose other credits include “Here It Comes Again” by The Fortunes, “The Last Waltz” by Engelbert Humperdinck, and “Kiss Me Goodbye” by Petula Clark (which also hit #15 US in 1968).

However, Sylvan Mason, who was married to Barry when these songs were written, claims that she is a co-writer. We verified her claims when she showed us court records from her divorce settlement that prove her authorship. She has also been vetted by major newspapers that acknowledge her as a co-writer, and Tom Jones mentions her as a lyricist on the track in his autobiography.

In 2001, Barry Mason told The UK newspaper The Sun that he based on the song (minus the bloodshed) on a girl he met on vacation in Blackpool, England when he was 15. They had a summer fling, but when it came time for her to return home to Llandudno in North Wales, she told Barry that she had a boyfriend, and it was over between them. Mason is quoted in the paper as saying, “I was shattered. I never shook it off and I became sick with jealousy and a whole lot of pain. She had dark hair, brooding eyes and she was really feisty. If there’s a typical Welsh girl, she was the one.”

Mason said that her name was Delia, which was impossible to integrate into a song (“Why, why, why Delia” didn’t work). A decade later, working with Reed, he got the idea to change her name to Delilah, and they wrote the famous song. “I just got more and more worked up with each line,” he said. “I put my heart and soul into that song – and that’s how ‘Delilah’ was born.”

The Sun embarked on a search for the mystery woman who inspired the song, asking readers to call in if they knew Delia from Llandudno. They called off the search when they heard from Sylvan Mason, who explained that she co-wrote the song and that there was no Delia. According to Sylvan, Les Reed had already written the chorus “Why, why, why Delilah,” and the lyric is based on the 1954 musical Carmen Jones. “Les Reed’s idea was to write a modern-day Samson and Delilah song but we got carried away and it ended up like Carmen Jones,” she told WalesOnline, adding that the line “I was lost like a slave that no man could free” is a reference to Samson being tied up.

Sylvan says they composed the song in two hours, and just flowed out. “It became about the guy’s lover,” she said. “She had been with someone else all night. He was jealous, and had probably been drinking – and then he stabbed her.”

Asked to respond, Barry Mason told The Sun, “I have no comment on the opinions of my former wife.”
Tom Jones went on to be knighted. A little known fact about this recording is that another future knight of the realm sang on it, Elton John. According to Philip Norman’s biography Sir Elton, times were hard for the then-aspiring superstar, and he took whatever session work he could get, becoming in this case an indistinguishable voice in the chorus behind the melodramatic Tom Jones #2 smash hit single “Delilah.”
“Delilah” was also recorded by The Sensational Alex Harvey Band, Connie Francis, Ray Conniff, Jerry Lee Lewis, The Platters and The Ventures. (thanks, Alexander – London, England, for above 2)
Lyricist Barry Mason was asked in an interview with the International Songwriters Association’s Songwriter magazine whether he was often inspired by a theme when writing songs. Mason replied: “Normally, it would be a line, especially a title line, that would be the inspiration for me. For ‘Delilah,’ I was inspired by ‘Jezebel,’ the old Frankie Laine hit. I used to love ‘story songs’ when I was a kid. I did a thing called ‘Drive Safely Darlin.'”

Mason possibly also had in mind the biblical story of Samson and Delilah. The Old Testament hero Samson’s exploits against the Philistines ended when his Philistine mistress Delilah persuaded him to cut off his hair.
Jones recalled to The Mail On Sunday February 6, 2011: “I remember when I first heard ‘Delilah,’ I thought: ‘This is just a comedy record.’ My manager said: ‘Yes, but we want you to do it seriously.’ When you first hear it, you think it’s a rip-roaring, we-are-the-champions kind of number. But it’s actually about a man killing a woman.

It’s recorded in the style of an old drinking song – you can imagine all the tankards waving in the air in an old pub. Delilah is always great to perform on stage – when the crowd hears the brass at the beginning, they start going for it before I even open my mouth.”
The song is popular with supporters of Stoke City Football Club who have adopted it as their anthem. The story goes that the song was chosen when a group of Stoke City fans were having an alcohol-infused sing-song in a pub. When police officers asked them not to sing any songs with swear words, “Delilah” came on the jukebox and the rest is history.
After Tom Jones performed the song before Wales’ historic rugby victory over England in 1999, Welsh fans adopted it as their unofficial anthem. The Welsh Rugby Union now plays the song in Millennium Stadium before matches.
In 2014, Dafydd Iwan, folk singer and former president of Plaid Cymru (the Party of Wales), called for Welsh rugby supporters to stop singing this at games because it trivializes violence against women. Tom Jones responded in a BBC interview: “It’s not a political statement. This woman is unfaithful to him and [the narrator] just loses it… It’s something that happens in life.” He added: “If it’s going to be taken literally, I think it takes the fun out of it.”

Iwan then told The Guardian he wasn’t trying to get the song banned, but he was trying to get people to think about the songs they sing. “All I can hope for – and perhaps that hope will now be partly fulfilled – is that next time you belt out this very singable song, you spare a thought for the poor woman who ‘laughs no more,’ and avoid feeling any sympathy for the poor sod who killed her because he ‘just couldn’t take any more.'”

The song’s co-writer Sylvan Mason weighed in on the controversy, telling the UK Telegraph, “Don’t blame Delilah for all this – blame beer. The reason there is more domestic violence after rugby matches is because men have been drinking… It’s not anything to do with Delilah.”

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